Maltese artist Matthew Attard’s 60th Venice Biennale exhibit explores the intersection of history, art, and technology through his unique exploration of maritime heritage, faith, and progress. His work focuses on images of ships that were graffitied by seafarers on the stone facades of chapels in Malta between the 16th and 19th centuries. Using AI-driven technology, including generative algorithms and an eye-tracking device, Attard created a database of digital images. These images were then used to create artworks such as 3D scans and video pieces, highlighting the evolution of traditional art forms through innovative technology. The reinterpretations of these etchings evoke a ghostly, skeletal impression that prompts viewers to question the role of technology in art and society.
The maritime graffiti serves as a metaphor for hope and survival, resonating with cultures deeply connected to the sea. Similarly, Maltese chapels have served as places of sanctuary throughout history. Attard’s exploration of these themes aims to draw parallels between blind faith in digital technology and traditional beliefs. His exhibition at the Malta Pavilion at the Venice Biennale, commissioned by Arts Council Malta, invites audiences to reflect on the fusion of art, history, and technology in a thought-provoking manner.
Attard’s work showcases how advanced technology can be used to bring new life to historical artifacts while also challenging our understanding of what it means to create art in the digital age. By using AI-driven tools to analyze these ancient etchings, he was able to create a stunning visual display that not only honors Malta’s past but also pushes us to think about where we are heading in terms of both art and technology.
Overall, Matthew Attard’s exhibit at the Venice Biennale is a must-see for anyone interested in exploring the intersection between history, art